A Bluestocking Knits

Reading "The Hobbit"

The girls and I finished reading The Hobbit last night.  Reading it aloud was quite a different experience from reading it silently.  Certainly I found myself aware of the pronunciation of names, and how often I'd gotten them wrong, and still do.  I read so much as a child that I often pronounced words the way they looked; I still do this with "sword", for instance, including the "w".  It's hard, reading The Hobbit now, not to say "biffer, bohffer, and bom-ber" especially, partly because the habit is so ingrained after all these years, and partly just because it's funny.  This led to my thinking last night that I would write notes (in pencil, of course) at the bottom of a page where the name appeared, and so this morning I made a list, then started here at Tolkien Geek, and travelled to far corners of the Tolkien internet universe, especially to Wikipedia and The Encyclopedia of Arda. I did not actually find one single list of pronunciations, and so I post it here, willing and ready to accept discussion were someone with greater knowledge to comment.

I puzzled over "Dáin son of Náin" quite some time.  "Dane son of Nane"?  "Dine son of Nine?"  Alas, there is yet no consensus.  I found "An Analysis of Dwarvish" delightful in its very thoroughness, although, surprisingly, given that thoroughness, nowhere are the acute-o as in Thrór and acute-a as in Dáin mentioned.  Possibly this is because Dáin, Glóin, etc. are use-names in Westron and thus translations from the Dwarvish ....

Also rather surprisingly, no one seems to divide these names into syllables.  I have seen the occasional phonetic spelling that differed from the usual, and included them below.  (A deeper study of the root words would be useful here, but, well, I haven't got the time.)

"Bilbo" should, I suppose, strictly be pronounced "BEEL-boh".  I have never yet heard anyone say it like this.

The "r" should be a lovely rolling sound, which most Americans don't or can't do -- listen to a Swede saying them at Tolkien Pronunciation Recordings, or even better, to Tolkien himself reading some excerpts from The Lord of the Rings.  I've written this below as double-r.

Balin = BAH-leen

Beorn = BEH-orrn or even BAY-orrn, not BEE-orrn; compare Beowulf

Bifur = BEE-foor.

Bofur = BOH-foorr

Bombur = BOHM-boorr, with the “o” long as in “go” not short as in “bomb”, or possibly BOH-mbur

Carc = KARK

Dáin = DAYN; probably not “dine” as in “nine” and “line” as that would be the Elvish pronunciation

Dori = DOH-rree

Durin = DOORR-een, with the “u” long as in “boot”

Dwalin = DWAH-leen

Fíli = FEE-lee

Gandalf = GAHN-dahlf, with a short “a” sound as in “father”; or possibly GAH-ndalf; not "GAHN-dalv"or "GAN-dalf/v"

Girion = GEE-rree-ohn, with a hard “g” as in “go” and “get”

Glóin = GLOH-een

Golfimbul = GOHL-feem-bool

Gwaihir = GWY-heerr, with a hard “g”, and a long “i” in the first syllable as in “eye”

Kíli = KEE-lee

Nori = NOH-rree

Náin = NAYN; see above under Dáin

Ori = OH-rree

Roäc = RROH-ahk

Smaug = SMOWG.  There is quite a lot of discussion about as to whether this is pronounced "smowg" or "smog".  I started out with the American "smog", pleased by the association of dragons with nasty, smelly air pollution, then later evolved to a more RP "aw" sound.  Technically, the vowel should be "ow", as in "town" and "clown", and in the interjection you use when you bump your head, which, not coincidentally, is the same as the equivalent modern Norwegian interjection, "au".

Thorin = THORR-een

Thranduil = THRRAN-doo-eel

Thráin = THRRAYN; see above under Dáin

Thrór = probably THRRORR; it is unclear why the vowel has a diacritic, or how this affects pronunciation

Óin = OH-een; it is unclear whether the letter “ó” is merely an “o” with a diacritic, or if it is a separate letter and therefore should take a separate place in the alphabet as does the Norwegian “ø”

Changeable

I can't seem to sit still these days.  The weather is cold one day, springlike the next, alternately rainy and grim, humid, windy, or blazingly hot, and my spring knitting careens back and forth nearly as wildly.

Garter Heel Sock, from the Vogue sock book -- I didn't like the garter top much, so made it a 3x1 rib, lined up with the pattern on the leg because it amused me.  Am feeling somewhat indifferent about this sock, and I am not entirely sure why.

Primavera.  Was rather unsure of this when I started, but it's growing on me.  Do not be alarmed by its scrongy appearance.  It is quite stretchy, despite being basically a 7x4 rib, and I find myself more dismayed by the splittiness of the Trekking Pro Natura than I am by the pattern itself.

Ahem.  This was the Friday Harbor socks from Knitting on the Road, three times.  I really liked the wool, the cuff pattern, the way the wool looked in the cuff pattern -- but the first time it was so small that I couldn't get it over my instep, the second time with an added repeat still so tight that it stretched the stitches mercilessly, the third time with yet another repeat far too big.  My only consolation is what a pleasure it is to wind this stuff into a ball.

I've got my nose in a book more often these days, instead of knitting, it seems.  Have recently finished chain-reading another string of Joanna Trollope novels, wh. I enjoy very much.  It struck me recently, finding my copy of the Persephone edition of Wise Virgins where I had subconciously kicked it under the bed, that even though I don't always like all of the characters in Trollope's novels, I am interested in what happens to them.  I found myself wrenched out of WV more often than not, because Woolf was so cuttingly judgemental about the characters that he obviously didn't like, that I felt myself curiously defensive on their behalf.  Very dislocating, defending characters against their own author.  Am thinking now of rereading some D.E. Stevenson, or I might try something new, an Elizabeth Taylor ....